[Wood] Reclaimed Textures

Reclaimed wood is not the same thing as weathered wood, and the difference is history. Weathering happens to a surface; reclamation carries evidence of a previous life — nail holes that were filled and reopened, saw marks from a mill that no longer exists, paint that was applied indoors and then stripped, a face that was protected for eighty years next to an edge that was not. This collection covers barn siding, deconstructed pallet stock, salvaged flooring, and mixed-species panelling.

License

Free for personal and commercial use. No attribution required. Commercial games, film, architectural visualization, and client work are all permitted. No credit, no backlink, no permission request needed. You may not resell or redistribute the texture files themselves as a texture pack.

What's in this collection

• Barn siding — wide boards with deep raised grain, silvered face and residual paint in the low spots. Rustic interiors, feature walls, rural environment art.
• Pallet stock — rough-sawn softwood with stamps, splits and nail damage at the ends. Warehouse dressing, DIY furniture, survival and scavenger settings.
• Salvaged flooring — tongue-and-groove boards with a worn traffic path, old finish and tack holes. Loft conversions, restored interiors, period sets.
• Mixed-species panelling — boards of different tone and grain assembled into one surface. Accent walls, bar and restaurant interiors, furniture faces.

All tiles are seamless in both directions and delivered at high resolution.

Where reclaimed wood is used

Architectural visualization. Reclaimed timber is a mainstay of hospitality and residential interiors, and it is usually specified precisely because it is irregular — which makes a too-clean render immediately unconvincing.

Game environments. Rural, post-collapse and frontier settings where every structure is meant to look assembled from whatever was available.

Furniture and product visualization. Table tops, shelving and cladding where the material story is the selling point.

Film and television set dressing. Digital extension of practical builds that used real salvage, which has to match board for board.

How to use these in Blender

1. Drive Base Color from the colour map and use the height map through Displacement with adaptive subdivision — raised grain on reclaimed stock is deep enough that bump alone reads as a print.
2. Use the board-separation mask to randomise per-board hue and value slightly with an Object Info Random node, so a wall never shows two identical boards.
3. Keep Roughness high and varied; old finish survives in patches, so a single value flattens the entire history of the surface.
4. Rotate the UV mapping 180 degrees on alternate boards to break the repeat without needing additional texture variants.

How to use these in Unreal Engine 5

1. Import the colour map with sRGB on and the height, roughness and mask textures with sRGB off, then build a material instance so per-scene tint can be adjusted without recompiling.
2. Use Nanite with real displacement for hero surfaces and fall back to normal-only variants for background geometry.
3. Drive a dust and debris layer from the height map's low areas — on reclaimed boards, dirt collects in the eroded soft grain between the harder rings.
4. Add per-instance random offset on modular wall pieces; reclaimed wood has such recognisable features that repetition is spotted instantly.

How to use these in Unity

1. Use URP/Lit with Metallic at 0, a smoothness map rather than a constant, and normal intensity around 1.0 to keep grain relief honest.
2. Enable Parallax Occlusion mapping on close-range surfaces such as counters and table tops where the grazing angle exposes flat geometry.
3. Use Detail Maps with a fine grain texture at high tiling so the surface holds up when the camera is close enough to see individual fibres.
4. For modular walls, vary material tint per prefab instance with a MaterialPropertyBlock rather than duplicating materials.

Tips for reclaimed wood specifically

Tell a story with the damage. Nail holes cluster where joists were, paint survives where it was sheltered, and the weathered face is the one that faced outward. Randomly scattered damage reads as noise; damage that follows a plausible construction logic reads as age. Even deciding which edge was exposed and darkening it consistently across a wall makes a large difference.

Vary boards, not the whole surface. The temptation is to add a broad grunge layer across the entire wall, which just makes it dirty. Reclaimed timber varies board to board — different source, different exposure, different finish — so per-board variation in hue, value and roughness is where the character lives.

Do not over-sharpen the raised grain. Erosion of the soft spring wood between harder growth rings creates real relief, but it is rounded and worn, not chiselled. Pushing normal or displacement strength too high turns aged timber into carved sculpture, which is the most common failure in reclaimed-wood renders.

Browse the collection

Wood textures are organized into volumes, each containing multiple packs. New volumes are added continuously.

View the full Wood collection →

Related: Wall textures, Metal textures.